O’ber Dog

By THLaird Colyne Stewart, March AS 50 (2016)

The sun sinks so low, while cold the wind blows and running through snow goes a tan hound.

She picks up a scent, her mind it is bent on prey where it went and hid to ground.

The winter ground hides in snowy dune tides where the prey abides—there is no prize.

Returns to my feet without any meat; takes a chilly seat and she sad cries.

But, joy, she leaps up—a glad, happy pup, her mind turned from sup and her distress.

Just happy to be, to run, oh so free; her face full of glee and pure gladness.

While no master piece of literature, this poem is my first attempt at writing in the Welsh awdl form called cyhydedd hir (pronounced cuh-hih’deth here). Cyhydedd hir were lines comprised of three 5-syllable sections that shared an end rhyme, followed by a 4-syllable section with a new end rhyme. The next line uses c rhymes in place of a rhymes. These internal rhymes remain within the line while the end b rhyme connects not internally but with the next line’s end rhyme.

x x x x a x x x x a x x x x a x x x b

x x x x c x x x x c x x x x c x x x b

I found it easy to write the lines by splitting each line into a stanza, and then collapsing them again once I was done.

Singing in the Quire

For Athrawes Tarian verch Gadarn

By THLaird Colyne Stewart, February AS 49 (2015)

In master’s hands the boards turn,

By gimlet and plane they churn;

As at her knee pupils learn,

And for new books their hearts yearn.

Yearn to sew the quires straight,

Bind the folia of eight,

Band to board and mate to mate,

Save it from unworthy Fate.

Fate can be athwarted sore

With skin of the goat or boar,

Corner-pieces numbered four,

And catch-plate, bosses and score.

Score the end-band, sing it loud,

Hold end product to the crowd;

Nimble fingers never cowed,

Makes her kingdom ever proud.

I tried to write this poem using the Welsh cywydd metrical form, but I didn’t get it quite right. In cywydd each first line of the couplet should end on a stressed syllable, while the second line ends on an unstressed syllable. All of my lines ended up stressed. It is a very foreign concept to me to end on an unstressed syllable. I also found working with seven syllable lines to be odd (I usually write even numbered lines).

I did however manage to use two Welsh poetic devices (cerdd dagod). The first was using a single end-rhyme in each section of the poem (in this case quatrains). In Welsh this is known as awdl simpliciter (though poems written in awdl simpliciter were usually much longer in length. A *lot* longer.) The second was cyrch-gymeriad, which is using the last word of a stanza as the first word of the following stanza.

Final verdict: it’s ok. I need more practice in trying to adapt Welsh poetics into English. Or learn Welsh. You know, whichever.